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Re: Neverending Render

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Have had the same thing happen from time to time.

what solved it was to save the project with a new file name.

I restarted the computer (just in case)

Then reduce the work area to smaller portions of the timeline and render them bit by bit.

After that's done return the work area to the entire length of the timeline and see if it fixes the never ending render...


Re: levels of audio drops (audition to premiere to final video)

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There should be no difference between Source Levels and Timeline Levels ...unless you have the Audio Mixer "altered".

 

eg.  A Tone clip in Source Monitor and the Timeline (and Audition) should be exactly the same.  (All else being equal ie Mixer/FX, Clip FX/Levels)

Re: Neverending Render

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Drop back to CC project  until you resolve it.

Re: levels of audio drops (audition to premiere to final video)

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I know right? But what can I say...  I have not even touched the audio mixer in the whole process. And both mixers looks exactly the same.

With the tone clip happens the same, 3db loose in the timeline, fine in the source monitor.

Premiere Pro 2014 losing previews + crashing on warp stabilizer

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I can't begin to tell you how annoying this is.  I'm working with aerial footage (so a lot of warp stabilizing).  I'm noticing 2 HUGE problems...

  1. Once I add a transition (even a cross dissolve), If I must wait at least 30 seconds before adding a warp stabilizer to a clip.  If not... PP completely hangs.
  2. If I save my project and exit PP, I come back, and all my previews are toast... This is costing me hours in re-rendering (not to mention I'm getting concerned about orphaned files cluttering my drive).

I just did a complete re-install of Win 7 64, and Adobe is the only thing there (and my hw drivers).  I am fully updated on windows.  Please help.

Re: Re: Adobe Camera Raw changes not reflecting in Premiere Pro

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I was afraid of that, I appreciate your help.

Re: How to work with XD-CAM EX footage?

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seems like Premiere would duplicate the clips in order to work with them.

 

Premiere Pro only reads the media from whatever drive you put it on.

CC 2014 -- Preview File Locations

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Anyone else find that it's impossible to get changes to video/audio preview files locations  in the scratch disk dialogue to hold?  Changes appear to take effect, but upon re-loading project, they revert to the original state.

 

Also, changes to these often precipitate crashes.

 

[Please choose only a short description for the thread title.]

 

Message was edited by: Jim Simon


Re: CC 2014 -- Preview File Locations

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No issues here with Windows 7 and 8.1.

Re: How to work with XD-CAM EX footage?

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I am a novice but This may be of use, "Using Adobe Premiere Pro CS6 with file-based Sony XDCAM content" http://www.adobe.com/content/dam/Adobe/en/products/premiere/cs6/pdfs/adobe-premiere-pro-cs 6-sony-xd-cam.pdf

 

As a side note, BPAV files seem to be a product of editing on a mac, so not something windows users need to worry about. I used Adobe Premiere pro CS4 (Windows XP) and it worked fine after i converted my native files to .MOV and made sure when creating my premiere pro cs4 project, that i selected XDCAM and all the other correct settings for the Sony XDCAM, you really need to pay attention to those settings. After i got that right, everything went swimmingly.

Re: Green MP4 Clips

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Instead of opening the project, have you tried creating a new project and importing the tutorial project into the new one?

Re: It just won't work...... I click premiere pro cc 2014, load screen opens, a minute goes by "Premiere Pro has stopped working"

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I'm using an nvidia 750 TI FTW ed. It's only the one. and in device manger there is only one item listed. I've had this program for about two months with no issue.

Re: Crash on Launch

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I'm not getting and error code or crash report either.

Re: Our team has slow/sluggish performance from Premiere Pro and forums haven't yielded solution.

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I just had a similar issue after upgrading to Premiere Pro CC 2014 - had all the performance issues described and working with an external (LaCie Thunderbolt) drive.

 

What I tried was opening a new project in PP CC 2014, and importing the old project via File > Import and saving it as a PP CC 2014 file.

 

The program then indexed the file over again, and the whole thing seems to be playing back great - no lags or whatnot thus far. The fresh new file and re-indexing all the material seemed to be key in getting performance back to normal. Hope it helps!

 

System:

MacBook Pro Retina, Mid 2012

OS X 10.9.3

2.7 GHz i7

16GB RAM

NVIDIA GeForce GT 650M 1024 MB

Re: Optimal editable format to transcode to

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OK I will clarify more.

 

First, what is NLE?

 

When we produce a training video, we are aware that we are not going to require the audio. Therefore, conversations go where they do.

I do not want in the future that someone is reviewing the footage is hears things that they do not need to hear.

 

So, I want to re-save the video file at the same quality as the original (as possible) but not keep the audio track.

 

What I have tried so far was to import the original footage, make a sequence, delete the audio track and export. Am I best to export as WMV, MP4, or something else with the intention of future editing?

 

Thank you for your responses and patients with my question.

 

Erik


Re: Optimal editable format to transcode to

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NLE - Non-Linear Editing - in this case, Premiere Pro is your NLE.

 

It looks like you are recording HDV.

 

If that is the case, you might want to record it back to the camera to be written to tape. That should not cause a generational loss. Just make sure to mute the audio track when you do it. That will give you a nice backup, and you can then capture the video again without a problem. It is time consuming, but it should be lossless.

 

If not, there are other fairly good codecs. Many cameras nowadays record to H.264 as an MP4. Depending on how much editing, color correction, stuff like that, you plan on doing later, you might just be happy exporting to 1920X1080 using square pixels (PAR 1.0) at a sufficiently high bit rate. Perhaps 25 or 30Mb/s would be sufficient, using a simple 1-pass VBR. That would probably look just fine for most video. It depends on what kind of training. If you are teaching with lots of fast motion, you may need to double up the bit rate.

 

H.264 is quite easy for a PC to edit, so it is what I would probably use. But a little experimentation on your part will determine if it is suitable for you.

Re: Premiere Pro CC 2014 and Media Encoder CC 2014 don't have FLV support?

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Who is "you"?

 

This is a User-To-User forum, not Adobe Technical Support.

 

It appears that the FLV format is being eliminated. First they stopped importing it, and then stopped exporting it.

 

I don't know why you need FLV, but perhaps it is time to look for another way to do what you need to do, or stick with Premiere Pro CC 7.2.2

Re: Premiere Pro CC 2014 and Media Encoder CC 2014 don't have FLV support?

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Sorry, I don't quite understand how to navigate these forums yet. It's a show that's animated in Flash, and we use FLV's for ref footage embedded into Flash projects coming out of Premiere. I am already doing what I do another way, but boy would it be nice to not have to change the entire workflow in the middle of a production.

Re: Premiere Pro CC 2014 and Media Encoder CC 2014 don't have FLV support?

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Then I suggest that you stay with CC 7.2.2 instead of moving to CC 2014 (8.0) because it appears that Adobe has given up on Flash and nobody is saying why.

Is Surface 3 compatible with Premiere Pro

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That's it!  

Thanks for any help with this!

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