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Re: Immediate Crash on Mac OS Sierra

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You may want to try clearing preferences while starting Premiere.

 

  1. Press Alt (Windows) or Option (Mac OS) while launching Premiere Pro. ...
  2. To reset preferences and plug-in cache at the same time, hold down Shift-Alt (Windows) or Shift-Option (Mac OS) while the application is starting.

Re: Can't import videos to Premiere

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You may want to try installing the latest version of Quicktime player (free). I've found that installing Quicktime on Windows machines helps open some video formats.

Re: Immediate Crash on Mac OS Sierra

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Update:

 

I imported my sequences one by one into a new project and rooted out the "bad" sequence, which crashed my project upon play back.  I reopened my old project and deleted it and so far it looks like everything is working normally again.  I wouldn't call this the "correct answer" but it seems (fingers crossed) to work for me.  I'm just happy that it was a multi-cam file that I can reimport and recreate, not an actual cut.  If anything else happens, I will report back. 

 

And Rob, I forgot to mention that I reset my preferences and cache folders, but thanks for the tip.  Piotr, maybe you should give this a go? 

Re: Can't import videos to Premiere

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Are you able to open the video in Windows Movie Maker? I've had trouble with some AVI videos that I need to convert in WMM first before I can bring them into Premiere, if you can open it in that then try save it as an MP4 as well and see if that works.

Proper Workflow For Exporting SD Using HD Source Footage?

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What is the proper workflow for exporting standard definition (720x480 4:3) mpeg-2 files using HD footage as the source in Premiere Pro CC 2017?  Do I just edit the HD video in an HD project timeline and then export to SD mpeg-2 using the Media Encoder or do I start an SD project and use the Scale to Frame Size or Set as Frame Size feature to scale the HD video on the SD timeline?  Which workflow is the best to use for HD to SD conversion?  Thanks

Re: Proper Workflow For Exporting SD Using HD Source Footage?

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Edit in a sequence that matches the media and export to the desired end product.

Video Quality Issue in Premier Pro

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Hi all

I am trying to create a video for a facebook header and the pixel dimensions are 830x312.

I have created a new sequence and set up the custom dimensions to be as above. When I then import an existing clip (which is at 1920x1080), the video quality is highly pixelated. Once the clip is in the sequence, I am altering the scale to make it fit but the quality is still poor.

I'm not sure what I'm doing wrong here as the clip quality is obviously higher that the new sequence dimensions?

I'm a photographer so my Premier Pro skills are basic to intermediate at best.

Cheers

Rich

Re: CC Optical Flow: crash when rendering

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zooomak  wrote

 

Hi, i have a pretty big project and want to render with optical flow.

There are speed ramps, not just a change of speed for the whole clip.

Tiny parts (like 3-5 seconds) of the clips can be rendered (looks awesome) but for the whole sequence it crashes again and again...

Unless you have speed changes on every clip, do not use the Time Interpolation setting in the Export Setting dialog, which will encode your entire sequence using the GPU-intense Optical Flow. Instead, select each clip in your sequence which contains a Speed effect, and then right click and choose Time Interpolation > Optical Flow. That way you will only be rendering the clips with Speed changes + Optical Flow, greatly reducing the chances that your GPU's driver will crash itself and PrPro along wth it.


Re: GH5 Playback issue after 11.1.2 Update

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Yes, spend time transcoding even though playback speed is fine, there's just this bug. Given the length and number of files, I could edit the pieces in the time it would take to transcode all of it.

Re: Proper Workflow For Exporting SD Using HD Source Footage?

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To clarify, yes, that means you do not scale on the PR timeline. In the PR/AME export settings, use the crop settings on the left to set "scale to fill." This prevents small black bands on the left and right. If you are going to DVD, be sure to use the MPEG2-DVD format, not the plain MPEG2 one.

Re: Unable to use Essential Graphics templates created in AE

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I think I figured it out.  It appears that you are using the root directory of a drive for Media Cache, which is not supported by AE.  It's possible to get into this state becasue PR and AE share the same cache directory.  And if you migrated your AE prefernces when updating to 14.2, AE will use the root directory settings from the older AE preferences.  That is the actual problem, which results in the failure to use the (.mogrts) in PR.

 

We'll look into changing that behavior.  In the mean time, you can try to workaournd it by setting the AE prefernce for Conformed Media Cache, to use the deault location, or a non-root directory.

Re: New update loses all my Lumetri settings on clips.

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An update on this issue, I was grading a couple of shots and when I copy and paste lumetri, on the second clip I reset the curves tab but the highlights seems overexposed when I just click the luminance curve (just click not move) the highlights return to normal. Then I unchecked the whole curves section and even it was reset, it seems to still affect my shot. Digging even more all some clips have an instance of lumetri already applied in the source tab with a Amira lut  which affect the shot overexposing it prior color grading and by the way i cant delete it. i think this might be a bug related to the problem with lumetri already talked here. Hope this helps you adobe to do something about it soon, it's a pain color grading in premiere now

How to get a full tonal output range 0-255 for image 4K UHD HDR AV shows

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I am trying to produce 4K UHD 10 Bit HDR image AV shows using the latest update of premiere pro (V 2017.1.2 Build 11.1.2 (22)).

My inputs are a series of 16 Bit TIF images with Adobe RGB color space.

I export these images using the HEVC (H.265) codec with 4K UHD resolution. In addition I use the main10 (10 Bit) profile and activate the rec.2020 primary colors with HDR option and maximal render depth. In addition I select the HDR option within Lumetri-Scopes.

 

My original images all have a full tonal range 0-255 (16 Bit TIF).

However, the resulting MP4 video cuts off the dark tonal range 0-16 of these images but shows the full white tonal range up to 255.

 

I am not very familiar with premiere pro, so I wonder whether somebody has an advice on how I can manage that the resulting 10 Bit HDR video will show the full tonal range 0-255?

 

NB: I am displaying the resulting videos on a new Panasonic 10 Bit UHD HDR TV screen with the new mediaplayer.

Currently, if I save my 16 Bit TIF AdobeRGB images as 8 Bit JPG sRGB images, these JPG images show better details in the dark tonal range than the corresponding 10 Bit rec.2020 HDR displays in the video. Normally I would expect the 10 Bit rec.2020 HDR video to show better details than the corresponding 8 Bit JPG.

Include audio track when creating multicam?

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I'm a bit confused about how to incorporate master audio track with multicam sequence. I'm working with a music video with many takes shot with musicians lip-syncing to audio track. So I only want to use the master audio, and sync everything to that--don't want to use any camera audio (except for sync).

 

Should I include the audio file when creating the multicam source sequence? Or only sync cameras, and then add audio track to timeline?

 

I've been including the audio file when creating multicam sequence, but then am having trouble muting all cameras/soloing audio track--maybe that's what I need help with...

Re: Unable to use Essential Graphics templates created in AE

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I confirm that this workaroud does work.


Re: GH5 footage trouble

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It's set to Mercury playback engine GPU acceleration. My graphics card is a NVIDIA GeForce GTX 860M.

Audio not playing when imported (plays outside of premier)

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Hello,

 

I filmed a wedding and recorded the vows and speeches on a zoom recorder. All audio is clean and sounds great when I click on file in the folder. However, when I open the files up in premier pro cc, some files seem to skip while another is on a constant loup. This is the first time this has ever happened. Not sure if I need to update seeing that I recently updated 2 weeks ago. Thanks

 

NIck

Best Way To Learn Premier?

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Hi.

 

Good ole' FCPX Veteran here looking to take my professional editing to Premier. Industry dictates the need.

 

I know I'm late to the game. Don't judge. Have come mercy those of you who have been with Premier since when Avid and FCP7 were the standards. 

 

Can you all recommend the creme' de la creme - or whatever the saying is - top notch online learning courses?

 

At this stage in my career I don't have the time or money to go back to school. Many have told me not to waste my money.

 

But, I'd be willing to spend a little if it meant sitting down for, say, all weekends for one month, to learn everything.

 

Please note: I know there are TONS of free resources on Adobe, YouTube, etc. But, I'm at a point in my career where unfortunately for me, I feel like I've hit a glass ceiling regarding learning everything I can learn through self teaching. I need a course that forces me to sit down and learn good foundations from file ingestion and organization (Media Encoder/Prelude?) to editing and output so that when working with other editors such as yourself or productions, I can integrate into the workflow as anyone would expect.

 

Thank you for all your recommendation in advance.

Sincerely

Zach

Re: Radial blur plugin for Premiere pro and Cycore FX inside Premiere

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No Jim, you're misunderstanding.

 

I'm taking the forums and discussions as evidence alone. I say that the onus on Adobe to prove that they are taking these things seriously, not on me to prove that they aren't. It's plainly evident that they are not since that is the discussion we are having and the thread we are having it in.

 

In this thread, we are talking about a feature request that has been active for near (probably over) a decade. You only need to google this issue to find many other places where this particular feature request has been discussed and has been absent since discussions started in... on my google search page, the earliest discussion of this feature is 2007. That's just the first page.

 

I don't feel a need to search any longer.

 

You are correct that we would need to _know_ those tallies in order to make a judgment as to how Adobe is doing, but we cannot know this. We can only hope that those tallies exist and someone is paying attention to them. If that were the case, then it would make sense that older queries would be addressed with somewhat greater urgency than 10 years... Especially when it's a simple port of a function from AE to Prem.

 

It is not my job to babysit Adobe to take care of long-standing omissions, bugs and feature requests. But when I come on Adobe's own forums week after week and month after month and see ancient discussions like this one that are still untouched even with the very latest version of CC, I am left with only one logical conclusion.

 

So are you, but you're not reaching the same conclusion, so I can only assume that there's a problem with your logic.

 

The evidence is plain. The problem exists and has existed for over a decade. It has been discussed many times. It has been brought to Adobe's attention many times. Yet it has been ignored.


I am also aware that many companies have a policy (this is particularly bad for MS products) where problems are only addressed based on how many people have mentioned them, rather than evaluating the problems themselves. This is a course of foolishness.

 

Anyone with half a brain can understand that the more complex an issue is, the less likely people are to find this problem and the less likely you will have a large volume of people reporting it. Doesn't make it a less serious problem, it just means it's more complex, and it gets less attention. Still, I do expect that competent management would be able to deal with this disparity effectively.


The only evidence I have is the evidence that I can see. And from that evidence, I see problems like this one all over the forums for issues that have remained unsolved for years and are replied to by Adobe saying "this problem is known and will not be addressed".

 

I have a hard time believing that you spend serious time on this forum and you haven't come across this. Most of the things I have come to this forum to look for have a similar situation. This is because I come to these forums when I have a problem.

 

If you have a different experience, then I would suggest that it's very likely that you come to these forums for different reasons, so you are not spending time looking at problems that currently exist in the software. That also means that you are likely using different software for different purposes. No, you're not going to come across problems with Adobe actions if all you ever do is do brightness and contrast adjustments on family photos. No, you're not going to come across problems with Premiere fumbling around with nested sequences and track mattes if all you ever do is put a title on a couple of GoPro clips from the family.

Re: GH5 4k - 10 bit files not working with Premiere Pro

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