Quantcast
Channel: Adobe Community: Message List - Premiere Pro
Viewing all 208900 articles
Browse latest View live

Need to export video files for future editing

$
0
0

Hello,

 

I recently started a small media company and shot some b-roll footage to sell to a client. This is my first commercial job and even though I used my steadycam the footage was a little bumpy at times. I don't want to give my first client crappy footage and so i edited the clips in Adobe Premiere Pro using warp stabilizer which cleaned up the footage how i want it. Now i need to export without compressing the footage or dropping the res so that they have good clean footage to edit and use however they desire in the future.

 

I haven't been able to find any good answers on this yet. Everyone says to use the H.264 format but that will compress the footage which will then get compressed again after the company edits it. this is no bueno.

 

I shot the footage with my sony a6000 using the AVCHD codec using the 60p 28M(PS) setting.

 

If anyone knows what the best format and settings to use for exporting the footage so that it is still high res and uncompressed then that would be very helpful. I am new to Premiere Pro and still trying to figure this all out.

 

thanks for your help


Layer limitation while importing .psd files to Adobe Premiere CC

$
0
0

I want to import .psd file to Adobe Premiere CC which contains thousands of layers. All those layers are shapes I made for lowpoly image. In this case, I want to make time-lapse animated frames I made in Photoshop, because I find this much time consuming to make frame animation in Photoshop, I'd rather to do it with Premiere. Unfortunately, every time I tried to import this .psd file, the import dialog only shows about 99 to 101 layers to be chosen. So, where are the rest? Why they don't show up on choose list? Is it a glitch or something? Or is there any preference setting to increase number of imported layer? Thanks for help.

Re: Best Way to Match Shots

$
0
0

From the rather ... small ... public statements that the PrPro team management has released, mostly through Kevin Monahan here ... basically, they didn't think from their "metrics" that enough people were still using SpeedGrade that it would really be missed. And with limited budgets, therefore wasn't worth the engineer time to keep updating it.

 

If you've been to the SpeedGrade forum, you may have noted that there's been a LOT more traffic there than was usual ... including some threads with well over a thousand views. On any of the Adobe user-to-user forums, that's a LOT of views. So perhaps some calculations weren't exactly as expected. Ah well.

 

And yes, Resolve is an amazingly broad and DEEP grading program with an editor module that's becoming ... interesting. Which is why it so surprised me that they have de-coupled SpeedGrade at this point. Though the Lumetri panel is quite good at what it does, what it does isn't built to do commercial duty grading.

 

And people and post-houses WANT collaborative workflows. Sending a project out from PrPro to Resolve can take hours of time for the PrPro people to figure how they want to do it, and for the colorist's assistant who then loads the gigs of drives that came along with the project into their system and re--conforms everything.

 

The Direct Link with SpeedGrade was a stunner. Ok, Sg is NOT as wide nor deep as Resolve, but still ... quite fast and good at what it did. I wanted say Hue/Hue added, and better and more reliable tracked masking, but still ... I could get by just fine with Sg.

 

But now, the only one out there with the equivalent of the Direct Link mode ... is BlackMagic's product. Very weird, to me ...

 

Neil

Re: Lag out of the blue

$
0
0

Every once in a while those two cache files get goofy. I know some editors who simply dump them Friday end-of-day or to start out Monday morning while they get their coffee ready. Takes a small bit of time for PrPro to re-create what it needs, and you're back & going again.

 

Neil

Re: Need to export video files for future editing

$
0
0

I would use either the Cineform YUV from GoPro (PC or Mac), the Avid-created DNxHD/R on PC, or the ProRes in a 4:2:2 if you're on a Mac. All should work on most of their gear, and are capable of high-quality 'performance'. With the DNxHD/R, probably use an HQ "flavor" of the appropriate frame-size/rate, in the MXF/Op1a group.

 

The difference between the HQ and the HQX in the DNxHD/R codecs settings is HQ is 8-bit, HQX is 10-bit, but I don't think your media started out as 10-bit so that might be overkill at this point.

 

Neil

using pictures in premiere pro cc

$
0
0

Hello guys why is it that every time i use pictures in my video project adobe premiere crashes all the time even when just previewing the timeline

anybody with a solution please sort me out

Re: 2015.3 Issue, sharpen makes video go black

$
0
0

Hi all,

 

Let me get this replicated in-house and log a bug. Thank you everyone for your valuable insights.

 

It seems to be an AMD specific issue because I couldn't repro it on my machine (NVIDIA GPU).

 

Thanks for your patience!

Rameez

Re: Error Compiling Movie GPU/Lumetri with Premiere 2015.3

$
0
0

R Neil Haugen wrote:

 

Well ... if I'd heard about the use of the Canon 7D SL Profile Look, at the beginning, I'd a said remove it. That Look preset IS your issue.

 

There was a whole group of camera-specific "Looks" created for PrPro that were in the 2014 releases. The reason those are all in a 'Legacy' folder in the 10.x builds of 2015.3/4 is because there were a LOT of users that had issues like this with them. So they removed them from the easily-findable ones that people 'browse' though they're still loaded with the program IF ... you insist on using them anyway.

 

Yea, with a bit of practice, you can make better ones for yourself anyways.

 

Neil

 

Well... there's more info... there's so much info that I had difficulty getting that last post out so forgive if I'm trickling things out but I'm trying to keep things simple while providing good contextual info, not always easy...

 

For clarity... since talking about this issue in the last month or so, I've been working on two separate Premiere projects. Both use footage from the same DSLRs but the first one only used Lumetri effects without LUTs... no LUTs used with those, and I experienced the same old "AE.ADBE Lumetri...GPUVideoFilter" error we've been primarily discussing here. The main point here is that my instances of this "AE.ADBE Lumetri...GPUVideoFilter" error have been largely associated with a project not using any LUTs. In fact, the first time this newer project failed with this error was this particular failure I outlined today... I've not been working on this project much though, just a little bit here/there, whereas the other non-LUT project was worked on quite a bit, with lots and lots of exporting/rendering, and experiencing quite a large number of "AE.ADBE Lumetri...GPUVideoFilter" failures.

 

Also, I want to make sure we're talking about the same thing here... see the following Effects panel with expanded Lumetri Presets...

The location of "SL Neutral Start (Canon 7D)" does not seem hidden or legacy, yet it will turn into "CANON 7D - SL - PROFILE"... let me explain...

 

I thought I had dragged something from the above because I recall looking at the "Canon 7D" node under SpeedLooks... but I couldn't explain why it said "CANON 7D - SL - PROFILE" because I could not find that anywhere. Since it's relatively Neutral footage, I thought it might have been the "SL Neutral Start (Canon 7D)" Preset... I remember trying a bunch of those to see the results. Long story really much shorter believe or not... I did a test today with "SL Neutral Start (Canon 7D)" and found out it says "[Custom]" for the LUT immediately upon placing the effect, but after closing the project and reopening it, the LUT will no longer be set to "[Custom]" but rather it will be set to the unexpected "CANON 7D - SL - PROFILE". This seems like a bug because something which has one setting before saving a project shouldn't change after reopening it. I mean, the preset has one name, the LUT initially shows [Custom] but then changes to "CANON 7D - SL - PROFILE" ...

 

I assume you mean to indicate the above Presets are OK to use, not legacy, but that using the hidden "CANON 7D - SL - PROFILE" file (in the legacy folder) directly is bad... or are you saying all are bad and lead to these failures?

 

The above panel doesn't seem like a place for legacy presets... they seem very much as though presented for happy use... The preset in question is in clear view, but if you use it, it will textually turn into "CANON 7D - SL - PROFILE" after you reopen the project, and you say that LUT is legacy and should be avoided. Confused here.

 

If I create a Lumetri effect using the "SL Neutral Start (Canon 7D)" preset (as show in the above Panel), and then save that as my own Preset, then export that preset, internally in the preset xml file I can see it referencing the legacy the path "...\Adobe Premiere Pro CC 2015.3\Lumetri\LUTs\Legacy\CANON 7D - SL - PROFILE.itx "  ... are you saying using those presets under SpeedLooks, in plain site, are all the same thing as using undesired legacy LUTs? I ask because you could mean simply using the legacy LUT directly is bad, and not the above indirect presets because they do things "right" or some such.

 

A side note... I don't have to use these presets or LUTs... I just experimented with my relatively so-called neutral footage and liked what I saw so said what the heck. I can remove and simply adjust things I guess... but I want to ensure I get your meaning on using the above presets first.

 

Regardless... it's clear that this same single "AE.ADBE Lumetri...GPUVideoFilter" error occurs for reasons that can have nothing at all to do with the GPU in a functional sense as well as in the sense of what initiates the problem. I mean, if a system can render most of the time, but then fails due to a configuration change, it's hard for me to see that as an "old" GPU issue... not that you don't know this already but since there's apparently a whole slew of complexities in discussing this type of failure, it seems good to clarify this in closing.


Re: Premiere Pro 2014 creating long file paths when loading media?

$
0
0

Long Path tool can resolve error messages like: path too long, cannot delete file, too long path, destination path is too long, etc.

Re: 2015.3 Issue, sharpen makes video go black

$
0
0

Rameez hi.

Sorry my english is not that good, but if i got you right, my computers work both on NVIDIA GPU (gtx 970 and gtx 760) and both have the same problems i mentioned. i know it works fine on most computers, but i have different computers and both suffer from the same problems.

uri.

Problem with video recorded over 60fps

$
0
0

I have a problem with Premiere Pro when I record video, mostly from games over 60fps and, what happens is that, once I drag it onto the sequence (Settings: framerate 60fps, 3840h 2160w, pixel proportion 1.0) it gets absurdly accelerated or really decelerated. How can I fix this problem?

QUICKTIME HD CODEC MISSING IN PP2015.3

$
0
0

Hi Guys

 

I usually exported my TV Broadcasts in Quicktime HD Codec but since I updated to Premiere Pro CC 2015.3  the codecs are missing?

 

Can anyone help with this?  It is vital for that codec as the file size was nice and low and quality great for what we wanted.

 

Any help will be awesome.

I am using a Windows 10 PC.

 

Kind Regards

Francois

Re: QUICKTIME HD CODEC MISSING IN PP2015.3

$
0
0

Quicktime export settings are still there.

Which codec are you missing.

QT codec.png

Re: Problem with video recorded over 60fps

$
0
0

Gamefootage usually has variable framerate

Convert to constant framerate with HandBrake before bringing it into Pr.

Re: QUICKTIME HD CODEC MISSING IN PP2015.3

$
0
0

Hey Ann

 

Thank you for your reply.

 

Usually under the Quicktime settings there where a preset called HD presets which kept the file size nice and low.  If I currently export using the Video Codecs my file size increases to over 6gb for a 4minute video?

 

See Attached photo.  HD Codec not there anymore.

1.jpg


Re: QUICKTIME HD CODEC MISSING IN PP2015.3

Re: using pictures in premiere pro cc

Re: QUICKTIME HD CODEC MISSING IN PP2015.3

$
0
0

That is true.  Unfortunate for me the TV Broadcasts I'm sending to the television station only supports .mov and smaller file sizes.  Encoder's preset is also missing.

Re: Layer limitation while importing .psd files to Adobe Premiere CC

$
0
0

Very possible importing a psd has a limit to the amount of layers. 99 sounds very plausible. Pr has about 99 video layers.

Re: QUICKTIME HD CODEC MISSING IN PP2015.3

$
0
0

Open the drop down were it says video codec

Viewing all 208900 articles
Browse latest View live


<script src="https://jsc.adskeeper.com/r/s/rssing.com.1596347.js" async> </script>